And The Travel Gods Laughed and Laughed

After 7 weeks away, I am finally back in Italy.  I feel fortunate to have the best of two worlds - being able to spend weeks of time with family and friends in New Mexico and then returning to my home in Lucca for most of the year.  The only real drawback to this divided existence is the necessity for international travel.  Travel used to be fun, didn’t it?  Jumping on a plane and flying off to an adventure felt joyful.  But these days, well, the shine is mostly off the travel experience for me.  Now, airports and airplanes are simply a means to an end. 

This carousel is always one of the first stops I make on my return to Lucca

 Now that all the pandemic restrictions and testing requirements have ended it should be easier, right?  No more covid swabs 24 hours before a flight, no green pass needed, even vaccines are optional (though very important).  And yet, air travel hasn’t quite returned to normal (whatever normal is).  With strikes common in Europe, shortages of baggage handlers, reduced numbers of flights, and US system meltdowns, it all feels like a roll of the dice. 

 Silly me, I was actually looking forward to my return flights from Albuquerque to Florence. I booked way ahead, and because February flights are generally not full, I was able to find an inexpensive business class (or, as I think of it, Princess Class) fare for my return flights.  What a treat! I was anticipating smooth, pampered flying on the way back to Italy. 

 And that’s when the travel Gods began to laugh.   I had an early morning flight out of Albuquerque.  Up at 4 am, I was greeted by an unusually heavy snowfall.  Shoveling a path to the car at 5:30 am was not in my travel day plans!  Luckily my friends arrived to pick me up, I rolled my luggage down my newly shoveled path, and arrived at the airport in plenty of time.  I should have paid attention to those travel Gods tittering in the background.

A typical Lucchese window within an ancient brick wall with its window box full of flowers. Just one reason to love Lucca.

The flight was delayed a bit, and required deicing, but no worries as my layover in Houston was long.  I thought the travel Gods had had their fun and that they were done with me. Not a chance. I will skip the details and just sum up the rest of my travels.  2 hour delay out of Houston waiting on “mechanical clearance paperwork”.  The delay was prolonged when, just as we put our seatbelts on and were ready to roll, a passenger demanded to be let off the plane!  Did you know that when that happens the airline must search for the passenger’s checked luggage and remove it from the flight?  Shocking that a person would force a planeload of people to endure a further delay because she was upset that her rebooked connection was in – gasp – economy class!  She simply could not tolerate that and so off the plane she went.  Another 45 minutes of delay. 

I will say that the United flight crew was fantastic on that flight. They were just as frustrated as the rest of us about the delays, but they didn’t let that stop them from being gracious and helpful. Of course, the long delay meant a missed connection and longer layover in Munich.  Booked on a later flight into Florence, I finally arrived, but, and you can anticipate this next bit, my luggage did not. Thankfully my airtag let me know exactly where the bags were and allowed me to track them until they arrived in Florence. The next day and a half was spent in my apartment waiting for the luggage to be delivered.  They never say in advance when the courier will arrive but if you are not home, well, back to Florence goes the luggage.  And so I waited.

The small piazza of the Booksellers, Lucca

 All I really wanted to do my first days back in Lucca was to get out and walk through town.  I had favorite places to see, changes to find, signs of spring to search for, and the need to just reconnect with all the beauty of this city.  Sitting at home was definitely not what I had planned.  The travel Gods seemed to still be laughing at me! Don’t get me wrong - I am immensely grateful for a safe arrival and know that the frustration of this flight is a minor inconvenience in the greater scheme of things. But still … waiting for that luggage to come was torture.

But then the luggage was delivered and I was free to roam about Lucca.  And what did I find on my initial wanderings?   The weather is still cold and the trees mostly bare but starkly beautiful.  The first fuzzy buds are out on the magnolia trees on Corso Garibaldi, a sure sign that spring is coming. 

The magnolias are budding!

How I will miss these fun windows at Chocolat, now sadly closed.

My favorite little sweet shop in Chiasso Barletti, Chocolat, has sadly closed. Where will I find the little chocolate Easter chickens that I buy each spring?  I’ve heard that the owners will soon open another shop in that location, hopefully continuing their tradition of ever changing fun window displays.

The Santa Zita Café has moved just across Piazza San Frediano.  I can’t wait to go inside for a morning coffee or an evening aperitivo. 

Carnevale events are still going on, the evidence found in colorful confetti on the streets and costumed ball goers last Saturday evening. 

Most of all Lucca still presents all the things I most love – the sound of Italian spoken in the streets, colorful window boxes, medieval streetscapes, the tall Torre Guinigi just around the corner from me, ancient brickwork, street musicians, the stalls of the booksellers, the monthly Antiques Market.   Add in the friends I’ve made here and the warm, gracious Italians that fill the city and I instantly feel at home.  It’s good to be back.

Christmas in the Piazza

Piazza San Salvatore, Lucca

The historic center of Lucca has a medieval street plan which includes narrow streets, stone and brick buildings, towers, and a series of piazzas. The warmly colored buildings and the open spaces of the piazzas provide a perfect backdrop any time of year, but especially during the holiday season.

Each piazza in the historic center has some type of Christmas display. From traditional Christmas trees to oversize ornaments to metallic trees and old fashioned Christmas markets, the holiday vibe is everywhere. Overhead, the streets and piazzas have strings of lights and luminous stars. The ancient amphitheater has a projected light show on its curved walls, not to mention a giant Babbo Natale which delights the kids.

Piazza Napoleone is home to an ice skating rink and a Christmas market. The sounds of blades on ice, happy voices, and laughter accompany kids of all ages (and a few brave adults) as they skate around the rink. This is also where the carousel, decorated for the season, whirls kids and parents round and round.

Just beyond lies Piazza del Giglio, where the theater glows with lights and an oversize Christmas ornament lights up the piazza at night. The kids particularly like that they can walk through the ornament. As for the grownups, well there seem to be a lot of couples who stop inside for a photo or a kiss.

This year a group of artists were invited by the city of Lucca to create unique expressions reflecting Christmas themes. Their creativity fills the squares, streets, and even stretches to underneath the historic walls. Many of their creations are non-traditional or abstract, bringing a new sense of fun to the season. Pictured below: a recycled Christmas tree made entirely of plastic in Piazza Scalpellini and a very abstract tree, by Francesco Zavattari, which anchors a holiday chocolate market in Piazza Guidiccioni.

Piazza San Giovanni hosts a modern take on a woodland forest. Designed by local artist Emiliana Martinelli, it is edged with LED lights that cycle through a range of colors. Quite a contrast with the ancient church as a back drop.

Piazza del Duomo is host to one of my favorite installations. Designed by Michel Boucquillon and Donia Maaoui for the Alessi design company, this 18 foot high metallic tree, decorated with large round ornaments and a star at the top, is red on one side and silver on the other. During the day it reflects the surrounding buildings and at night it glows with reflective lights.

In the center of Lucca, the church of San Michele provides the backdrop for the largest Christmas tree in town. Locals turned out for the tree lighting ceremony on November 25th, a fun start to the Christmas installations throughout town. Under the loggia just across the square is a life size precepe (nativity scene). In Italy, nativity scenes include whole villages of people and this one is no exception. The figures are the work of the historic Giovacchino Marchi company, makers of nativity figurines since 1930.

Not all of the magic happens above ground. Underneath a section of the wall is a modern fairyland of snow and stars, another work by Francesco Zavattari. It is an unexpected surprise when taking the shortcut under the walls out into Lucca beyond the center.

Cold nights, bright lights, and Christmas magic - a perfect time for a walk through Lucca.

Piazza San Frediano

From Villa Bertolli to Villa Santo Stefano: An Italian Story of Olives, Grapes, and Families

Most Italian fairytales begin with these words: C’era una volta (loosely translated as “once upon a time”). Today I have a bit of a true-life fairytale to tell, so I will start with those words.

C’era una volta, around 160 years ago, when Francesco and Caterina Bertolli tended to their olives, pressed them, and sold the olive oil out of a small shop in the San Donato neighborhood of Lucca in Tuscany. They also grew grapes on their land and made a little wine, though the oil was their main product.

In the late 1800’s, some Bertolli family members emigrated to the United States and began to import the family’s olive oil, making Bertolli the first Italian olive oil to establish as US presence. Eventually the business in Lucca passed down through the generations. The company was nationalized by Mussolini in the 1930’s and by 1972 the family no longer owned the company or the rights to the Bertolli name for their olive oil. Not all fairytales have happy endings! The family did still own a lovely piece of property in the hills above Lucca, the Villa Bertolli, which had olive trees and around 1 hectare (about 2.5 acres) of vineyard. The fairytale doesn’t end yet though, for there is another chapter yet to come.

A view of the valley from the former Villa Bertolli

The tale continues in 2001 when a German couple, Wolfgang Reitzle and Nina Ruge, purchased the historic property from the Bertolli family. Originally they thought of it as a vacation property, and the property certainly had fairytale-like qualities that would make it perfect as a vacation spot. But Mr. Reitzle soon became interested in both the olive oil and the small production of wine on the estate. Since purchasing the property he has expanded it to include 12 hectares of land, made a serious study of winemaking, hired some very talented winemakers, and become the proprietor of a thriving vineyard and winery, now renamed Villa Santo Stefano. The name comes from the historic church of Santo Stefano which is just up the road from the villa. Today the villa not only produces wonderful wines but also their own label of extra virgin olive oil, a nod to those long ago Bertollis. The winery also gives tours and tastings, by appointment, and also offers guest lodging.

Villa Santo Stefano is an elegant estate. And the views! The property overlooks vineyards and valleys, has graceful covered pergolas, fountains, and immaculate landscaping. I would happily do any job needed, from trimming the flowers to sweeping out the cellars, if only I could live on site!

One of the restored buildings, now home to guest suites, at Villa Santo Stefano

Petra, sharing information about the wines of Vila Santo Stefano (the old rattan wrapped bottles at the bottom are left over from the Bertolli’s)

On a recent Sunday, a small group of friends and I made a visit to the villa. We were escorted through the property by the very knowledgeable estate manager, Petra Pforr.

Petra shared the history of the estate, the grape varietals grown, the evolution of the wine production, along with the details of Villa Santo Stefano’s production philosophy and processes. The information she shared was fascinating!

Several of the estate buildings have been restored and include exquisite, luxurious guest spaces. The suites range from cozy yet upscale mini-apartments to a large villa in the former barn. The large villa has multiple bedrooms, an elegant living room, a spectacular kitchen, and a large outdoor space with a private pool. Oh to be a guest there!

The winery may be a relatively small operation, producing around 50,000 bottles per year, but it is an incredibly high-tech one. No dark cellars or dusty old bottles here. No seen-better-days barrels. Each part of the facilty is modern and spacious. Computers control the temperature and humidity to create optimum conditions for maturing wines. The steel tanks gleam and clear glass rods along the sides of the tanks give a sneak peak of the red and rosato wines fermenting inside. I’ve never thought of steel vats as beautiful before, but the ones as Villa Santo Stefano seem like works of art crossed with modern scientific instruments.

The cellar is large with vaulted brick ceilings and soft lighting. Lining the space are beautiful French oak barrels, about 1/3 of which are replaced each year. That is a costly undertaking but essential in maintaining the quality of the wines. And quality is key at Villa Santo Stefano.

Of course the most important part of a winery is the wines themselves - and Villa Santo Stefano did not disappoint. During the tasting, in the estates beautiful banquet room, Petra discussed each wine including the grapes used and its unique characteristics.

The wines we sampled included a delicate pale pink Rosato (Luna), a crisp Vermentino (Gioia), and 3 different reds (Volo, a blend of Cabernet Sauvignon, Petit Verdot, and Alicante grapes), Sereno (an 80% Sangiovese blend, a Super Tuscan) and Loto (a Cabernet, Merlot, and Petit Verdot blend).

Loto is considered the Villa’s signature wine. It was the first one produced at Santo Stefano in 2006. Lots is a lovely wine, deep red in color with just the right fullness and dryness. I could tell you I tasted berries, smoke, and vanilla but that would only mean that I read the brochure! I just know that the first taste made me smile and want to sip some more. I liked all the wines we tasted, but this is the one I took home with me - though I may have to go back in summer for some of the Rosato, which would be the perfect crisp summer wine. Then again, the Vermentino and the other two reds were really good too. I think each of my friends had a different favorite. We definitely all carried some home with us.

A visit to Villa Santo Stefano is a treat. The setting is spectacular, the guest suites drool-worthy, the production areas high-tech yet with the personal touch of the winemakers. The vats and the barrel room are the stuff of fairytales for wine lovers. Thanks so much to Petra for sharing her knowledge and love of wine and of this very special property! Thanks also go to the long ago Bertolli family and the current Reitzle - Ruge family for sharing their property and their stories.

For more information: www.villa-santostefano.it or Petra.pforr@villa-santostefano.it

A Fountain of Beauty in Lucca

I probably have more photos of her than of any other subject in Lucca - photos taken from every angle, in every light, in every season.  She is a fascinating subject and one of Lucca’s most graceful landmarks.  She is The Naiade or Water Nymph.

 The Naiade rests atop one of Lucca’s many fountains, built in the 1800’s to bring fresh water to the city via Nottolini’s aqueduct. 

Some of the fountains are simple utilitarian structures but are few are quite decorative, none more so than the Naiade fountain. 

She was sculpted by Luigi Camolli from a design by Nottolini, one of Lucca’s most famous architects and sculptors.  She turns an ordinary fountain into a work of art.

The fountain itself is a marvel.  At the base is a large bathtub-like marble basin resting on claw feet and decorated with lion’s heads.  Above the large basin is a rectangular marble column with water spigots on 3 sides, each one placed above a small basin.  This is where so many Lucchese come to fill containers with fresh water direct from the hills beyond Lucca.  Locals swear this water is much better, and much more tasty, than either tap or bottled water.  Some even have a preferred spigot, always filling their bottles from one side of the fountain.   More than just a place to get water, this is also a gathering spot and a place for social connections.

 Above the fountain sits the Naiade who is commonly known by a much less proper nickname.  To locals she is “La Pupporona” which loosely translates to “The Busty One”, so called because of her one exposed breast (in Tuscan dialect the word puppora means breast).  That breast so scandalized a long-ago bishop that he tried to have the statue removed.  Fortunately he did not succeed! 

 The Pupporona is elegant, with softly draped folds in her garments, curvy hips, and perfectly coiffed hair.  She is made even more striking by the backdrop offered by the surrounding buildings, including the oche colored Church of San Salvatore (also known as the Church of the Misericordia).  The piazza where she resides is also named Salvatore, but don’t be surprised to hear it called Piazza della Pupporona, such is her fame.    

 Much loved by locals, she is occasionally adorned with a red scarf, a symbol of support for female victims of domestic violence.  Once, back in 2017, she was vandalized when someone drew a mustache on her face during the night.  Che peccato! The damage was quickly repaired.  I don’t believe the culprits were ever caught, but the vandalism caused quite an uproar. 

 On one of my first visits to Lucca I snapped a photo of the Naiade long before I knew the story behind her creation.  I just knew that she was lovely and she quickly became the representative image of Lucca in my memory.  Today, that photo is one I use as the symbol for Two Parts Italy and which accompanies each Monday morning email to subscribers.  It is still one of my all time favorite photos.  Be sure to stop by this small piazza when you visit Lucca. And don’t forget to fill your water bottle!

The statue of the Pupporona at Christmas time

An Artist In Tuscany

Flowers are often a focus of Kat’s work. Bright reds, yellows, purples, and shades of green - all stunning.

Could there be a more perfect place for an artist to live than Tuscany ?  The light is magnificent, the sky a special shade of blue.  The green hills shimmer and flowers appear in waves of color.  There is something in the very air of Tuscany that inspires.  All these magical Tuscan qualities come to life in the brushstrokes on canvas of artist Katerina (Kat) Ring. 

 Originally from California, Kat has lived and studied in many places. All of them have influenced her art – from Coronado Island, to Europe and even a decade of living in Zambia where she was inspired by African wildlife and vistas.  

 Today, Kat lives just outside the Tuscan town of Lucca where she paints local scenes, landscapes, flowers spilling from windows or blooming in fields, and slices of everyday Tuscan life. 

Of course there is Italian magic well beyond the borders of Tuscany, and so Kat often ventures to other areas of Italy, especially to the seaside, capturing the essence of these places in paint.

Lerici, on the Bay of Poets, captured in an oil painting.

 Painting mostly in oils, Kat is an artist “en plein air” – which means you are likely to find her easel set up alongside a rustic building, a sparking bay filled with boats, a field of flowers, an old bridge, or a pretty street.  And she is sure to stop for a field of sunflowers or a tree heavy with ripe figs.  

Kat describes her style like this: She prefers painting-in-place and capturing the sights, scents, light, and feel of a place. Her paintings do not strive to be photographic snapshots. Rather her scenes unfold as she perceives them - the periphery abstract, adding to the total picture but a bit out of focus. Moving toward the central image things become more clear, less abstract, more impressionistic. Finally, there is clarity and detail towards the center as the eye focuses on an object or group of objects.

Windows are always fascinating and this one is captured perfectly.

 Kat’s paintings are compelling for anyone who loves Italy – the use of color, the gorgeous flowers, the windows, the countryside, the sea. They transport the viewer directly into the heart of Italy.  To see more examples of Kat’s work, her portfolio can be found at www.katring.com and on Facebook.

This Tuscan landscape by Kat Ring hangs in my apartment in Italy. It evokes everything I love about the Tuscan countryside

The gallery is open from Sept 1 - Oct 16, lots of lovely works to see.

If you happen to be in Lucca this fall, you’ll find Kat’s “pop up gallery” at the north end of Via Fillungo, near the medieval Porta dei Borghi gate, from September 1st through October 22nd.  Her recent works are on display and she is on hand for questions about the places and scenes in the paintings.

 Contact info: 

Instagram: katringpaints

Website: www. katring.com 

Email: ringkat2@gmail.com

 All images used with permission.