Museo dell’Opera del Duomo (The Museum of the Works of the Cathedral, Florence)

Many years ago, on my first visit to Florence, I visited the Museo dell’Opera del Duomo (the museum associated with the Cathedral of Santa Maria del Fiore, usually referred to as “the Duomo”). At that time (1996), the museum was a jumble of a space, small and crowded with poorly displayed art and artifacts from the famous cathedral. I was not inspired to return.

Detail from a sculpture by Ticciati, once part of the main altar in the Duomo, now in the redesigned museum entry

 In recent years, the museum has been enlarged and has undergone a top-to-bottom renovation (completed in 2015). On a recent trip to Florence I decided to revisit the museum to see the changes – and my only word is WOW - what a change! 

16th century bust of Mary Magdalene, Giovanni Bandini

The museum is now an amazing space, full of light, open galleries, and fascinating art and artifacts from throughout the cathedral’s history.

The displays are well organized, beautifully presented, and provide good historical context.

Many of the pieces are original, moved from the cathedral itself. These include Ghiberti’s bronze baptistery doors, an evocative Pietà by Michelangelo, a carved wooden Mary Magdalene by Donatello, and portions of a larger-than-life sculpture from what was once a main altar in an earlier version of the cathedral (top photo).

A reproduction of the church facade, lined with statuary, fills the long, high gallery on the ground floor. How wonderful to get a closer look at these examples of statues that are so high up on the actual cathedral’s exterior. The facade can also be enjoyed from a viewing gallery on the floor above, which provides an even closer look at the statues high up on the recreated facade.

Statue gallery

 Across from this wall of statues are the two massive bronze baptistery doors by Ghiberti. I could spend hours looking at the details of the panels that make up these doors. Each panel tells a story in intricate detail.

Detail of panels from the north baptistry doors

Wooden model of the lantern that rises above the cupola

Central to the history of the cathedral is the building of the cupola (dome). Designed by Brunelleschi, it is a marvel of engineering and architecture.

The museum has an area dedicated to its construction that includes models of the dome and the lantern that caps it, a video presentation, and a display of tools used in the dome’s construction.

 Considering that the cupola was built in the 15th century, is this impressive engineering or miracle?

 One of my favorite displays was the reproductions of the stained glass windows.  More than a static display, the dynamic technology brings the windows up close, allowing the brilliant colors and designs to unfold before one’s eyes to be viewed in detail.

Of course a cathedral must have music and  the museum includes beautifully illustrated books of sacred music and two marble choir lofts (actually designed for organs not choirs). One loft was designed by della Robbia and the other by Donatello.  Both are beautiful but quite different in character.

Joyful children play across della Robbia’s sculpted choir loft

Detail from large book of sacred music

To end a visit here, be sure to view the actual dome from the viewing platform on the museum’s top floor.

The redesigned Museo dell’Opera del Duomo is nothing short of marvelous. Kudos to the redesign team - what a gift they have given us.   - Post by JMB

Location:   Piazza del Duomo 9, 50122 Florence, Italy

Hours:  Sunday through Saturday 9 a.m. to 7 p.m., Sunday 9 a.m. to 2 p.m.  Closed Mondays and first Tuesday of the month.  Hours subject to change; best to check ahead of time

Cost: an 18 euro ticket allows access to the museum and baptistery .  Several combined museum tickets also area available 

An Introduction to Verona

Travel poster from the 1930s

My idea of a perfect trip to Italy involves time spent in my home base of Lucca along with a visit to a place that is entirely new to me. On my latest trip, that place was Verona.

Verona, in the Veneto region of northern Italy, is less well known to visitors (at least to American visitors) than nearby Venice. The two cities have distinctly different characters and it's fun to experience both of them when visiting the Veneto region. Verona may not have Venice's famous canals, but it has a charm all its own and is a UNESCO World Heritage Site. Most of the historic old town is nestled into a bend of the Adige River, with some of the old city lying just across the river.

Historically, Verona was a Roman settlement. It has a long history of rule by various invaders (Visigoths, Longobards, Venetians, as well as by France and Austria), all of whom influenced Verona's art, architecture, and culture. Parts of the city were destroyed over time - by floods, earthquakes, conquering armies and, most recently, World War II bombs. Fortunately, many reconstructions  maintained much of the structure and character of the old city.  It is still possible to see everything from Roman ruins to Medieval and Renaissance structures. But Verona is not just a living history museum; it is a thriving city combining history, tradition, and modern life (including some high-end shopping).

With just three days in Verona I barely scratched the surface, but I did find much to love about this historic, thriving city.

Some highlights:

The fountain in Piazza Bra with the Roman arena in the background

Piazza Bra and Piazza delle Erbe are  beautiful spaces, full of activity and history. Piazza Bra is remarkable for the beautiful arches that mark its entrance and the well-preserved Roman Arena (amphitheater), which dominates the piazza. The piazza is lined with cafes and includes a green space that provides a perfect oasis of calm in the busy square.

Piazza Erbe is the place to feel the city's Medieval vibe. It is a thriving marketplace and the busy hub of the old city. Here you will find beautiful old buildings, the tall Torre Lamberto, and the ornate Palazzo Maffei.

While these piazze are the two main squares, there are many smaller ones that are also lovely. In fact, I think the piazze of Verona deserve a future post of their very own!

Busy Piazza Erbe

The city of Verona, viewed from an opening in the Ponte Scaligero. 

The River Adige flows through the heart of the city. Its bridges (ponti), including the Ponte Pietra and the Ponte Scaligero, have interesting histories, great beauty, and provide wonderful views of the city. The river also defines the city boundaries and helps make Verona a very walkable city. 

Verona is full of arches. Some are grand portas (doorways) through old city gates, others are small and mark entry into a piazza or a small vicolo (lane). Strung from them often are stunning light fixtures or cascading plants, which give the city a graceful air. 

There were more interesting churches than I could see in a short visit. The two I visited - the Chiesa del Duomo and the Cathedral of San Zeno - were architectural masterpieces filled with fascinating art and history.  . 

Cathedral of San Zeno, Verona

I can't talk about Verona without mentioning the fabulous dining. There is great variety in the dishes found here, and lots of seafood. My friends and I had several fabulous meals, including grilled shrimp, delicate pumpkin-filled ravioli, and a fabulous guanciale di manzo (beef cheek). The local white wines were similar to those of Bologna (slightly fizzy Chardonnay and Trebbiano) and there were full-bodied reds too (Amarone and Valpolicella). And of course there is great gelato to be enjoyed! 

Fine dining at Ristorante Torcolo, Verona. 

That's just a snapshot of my quick visit to Verona - there is so much more to see and experience that I can't wait to return!   -Post by JB

The Seven Churches of Santo Stefano

Church of the Crucifix, Basilica of Santo Stefano, Bologna.

I'm drawn to churches in Italy. There is something peaceful and spiritual about them. The coolness, the quiet, the dim light, the candles - all invoke a sense of calm and of one's place in the greater universe. I've probably lit 1,000 candles in churches big and small all across Italy - a nod to my Catholic upbringing - somehow those small flames seem to guide hopes and prayers on their way.

And then there is the art. I love the fading frescoes, the sculptures, the biblical stories told in paintings, the carved crucifixes, the Madonnas. And while I don't consider myself particularly religious, I find all of these tremendously meaningful.

Museum, Santo Stefano, Bologna

Fresco, Santo Stefano, Bologna

Chapel, Santo Stefano, Bologna

Intricate brickwork in the Pilate's Courtyard, between two of the churches in the Santo Stefano complex.

Perhaps the most amazing church I've visited in Italy isn't a single church at all but rather the Sette Chiese (Seven Churches) of the Basilica of Santo Stefano in Bologna. Parts of this series of interconnected chapels date to the 5th century and were likely built on the site of a fresh water spring and over a former temple to the Goddess Isis. Originally seven churches, changes throughout the centuries have resulted in the current four churches: Church of the Crucifix (the largest in the complex), Church of the Holy Sepulcher, Church of Saints Vitale & Agricola (local martyrs), and Church of the Trinity (or Martyrium).

Along with the four churches there are smaller chapels, the Pilate's courtyard with its intricate brickwork, a cloister with a central well and arcaded second story logia, and a small museum/gift shop.

Cloister Courtyard, Santo Stefano, Bologna

The whole series of churches is fascinating and each one is unique, but it was the Church of the Holy Sepulcher (the oldest part of the complex) that most intrigued me. It is a dark space, small and round yet quite tall with rising columns, arched windows high up in the cylindrical walls, and a domed brick ceiling. In the center is a carved stone structure that is part tomb (intended for the now absent Saint Petronio), part altar, part spiral staircase, all topped with a simple crucifix. There are beautiful stone carvings and a small opening into the tomb space itself (I actually watched a tourist climb into the tomb opening but I decided not to follow!). This space is mystical and somewhat eerie - the air just feels different in here, filled with a presence that is not quite visible. Perhaps it is the distant echos of those early worshipers. 

Church of the Holy Sepulcher

The Basilica of Santo Stefano is about a 10-minute walk from Piazza Maggiore and sits on a lovely triangular piazza at the end of Via Santo Stefano. It offers a unique experience, different from some of the more famous churches in Italy which get considerably more visitors. Its a worthwhile stop on any visit to Bologna.                                                                                -post by JB