Two Parts Italy

The Adige River winds its way through Verona, embracing most of the old city within one of its wide curves. There are numerous bridges over the Adige, connecting the main part of the city, which lies southwest of the river, with the sections that lie to the northeast. Many of these are modern bridges, rebuilt after heavy bombing of the city during World War II. Two of Verona's most important and characteristic bridges, the Ponte Pietra and the Ponte Scaligero, were destroyed during the war but later faithfully rebuilt using original materials recovered from the riverbed. What foresight this careful reconstruction was - and how fortunate that today we are able to walk across these bridges and appreciate their nearly original form.

The entrance to Ponte Pietra, through an arched tower in Piazza Broilo

The arched Ponte Pietra (pietra means stone in Italian) is the oldest bridge in Verona, built during the years of Roman rule. It has been damaged and rebuilt more than once due to floods and war. Two of its arches (the white stone arches in the photo) are of original Roman material. The brick arches date from a reconstruction during the 1500s.

Today the Ponte Pietra links the old part of Verona, between the Duomo and the church of Sant'Anastasia on the city side with the Roman Theater, Castel San Pietro, and the churches of Santo Stefano and San Georgio on the far bank. The bridge, with its gentle rise and fall, is beautiful and provides views of towers, church domes, and ruins, as well as long views of Verona along the banks of the river.

The entrance to the Castelvecchio, beyond which lies the Ponte Scaligero

The Ponte Scaligero (also known as the Castelvecchio bridge) is a Medieval structure. It too is an arched bridge, but unlike the more graceful Ponte Pietra, this massive bridge was built as part of castle fortifications and to provide a quick and secure route away from the Castelvecchio - allowing fleeing noblemen to escape across the river. The bridge is entered from within the castle courtyard. It has high brick walls with tall rectangular brick pillars that stand like sentries along the sides of the bridge.

Each pillar is topped with a merlon (an angular brick structure), which gives a sort of winged appearance to the top of the bridge. Between the pillars are open spaces - a climb up on the ledges to look out through these openings provides fantastic views.

Verona, as seen from the Ponte Scaligero

Lower in the brick walls of the bridge are rectangular openings that frame stunning views of the city and the river - looking through these was my favorite way to view Verona.

The Ponte Scaligero is an imposing structure, no doubt intended to discourage potential castle invaders. Today it is a peaceful pedestrian walkway and one of the characteristic bridges in the city of Verona. -post by JB

One of the banners carried in the Liberation Day Ceremony, Lucca.

When I visit Europe I am always reminded of the deep and lasting effects of the Second World War. From hedgerows in France, to the bombed cities of England, Italy, and Germany, the landscape here still echoes of a war that ended 72 years ago. Somehow, war feels closer here. One important benefit of travel is learning about the history, causes, and effects of conflicts, as well as standing in places touched by war. I feel fortunate to have visited war-damaged cathedrals in London, the American Cemetery in Normandy (where I searched for the name of my father's childhood friend, killed on D-Day), the outstanding Peace Museum in Caen, the Anne Frank House in Amsterdam, and the site of the Nuremberg trials. All were emotional experiences; all taught me something.

Because I love Italy, I'm especially interested in the Italian war experience. In Pienza, I've visited an Etruscan cave, later a hermitage, and later still a hideout for the partigiani (Italian partisans or resistance fighters). Twenty years ago I stumbled across a still war-damaged building in a small village near Milan, overgrown with the most beautiful hydrangeas.

I was moved by Iris Origo's diary War in the Val D'Orcia and a visit to La Foce, where she lived during the war. I've walked along the river Serchio, of strategic importance during the war. I was horrified to learn aboug the massacre at Sant'Anna Stazzema near the end of the war, and pleased to know the story of the American Buffalo soldiers who participated in the Liberation of Lucca. I've been inspired by accounts of the partigiani and their role in fighting for, and liberating, the country they loved. These are fascinating and important pieces of the story of WWII in Italy. Though I've absorbed these experiences, the war is not my story - it belongs to the people here who lived it or have lived in its aftermath. To them it is both history and a part of daily culture.

Ceremony honoring the liberation of Bologna.

This year I was able to experience the Liberation Day celebration twice. First, in Bologna where a ceremony takes place on April 21, the day the partigiani liberated the city, and again in Lucca on April 25, the national holiday. Both cities had moving ceremonies, of remembrance and celebration. In Lucca there was a procession with representation from military, civilian, and civic groups; there were school children waving Italian flags, a band, speeches, and a solemn wreath laying ceremony.

I am thankful that my language skills have improved enough to allow me to understand much of the ceremonies - the sacrifices of the partisans, the hardship of the people of Italy, the abject poverty during the war, the terrible damage to infrastructure and industry, and the value placed on freedom and peace. The celebrations focused not only on the past, but also on the present and future. The people here remember, it's in their DNA, and they continue to honor those who fought, those who died, those who suffered, those who liberated Italy, and those who work today to maintain peace and prosperity. post by JB

Children gather in Piazza San Michele, Lucca, for the Liberation Day ceremony.

The Bridges of Verona

Italy Remembers